Short month, short books. Verdict: plenty of decent reading, some even better than that. Here’s what I read in February 2019.
Gengoroh Tagame – My Brother’s Husband [Volume 1] (2014) Trans. Anne Ishii (2017) Gentle manga about Yaichi, a single parent raising a delightful, rambunctious daughter, Kana. Their lives are interrupted by the arrival of Yaichi’s brother-in-law, a white Canadian named Mike Flanagan, who visits Japan in the wake of his husband’s (Yaichi’s brother’s) death. Yaichi spares no effort to welcome Mike—aided by Kana’s joy in the sudden appearance of this unexpected uncle—but his not-so-latent homophobia keeps getting in the way. Lots of secrets, lots of emotion, but all handled lightly. I was engrossed and moved and have the sequel from the library ready to go. Plus, who doesn’t like a hunky Canadian hero?
Ken Krimstein – The Three Escapes of Hannah Arendt: A Tyranny of Truth (2018) I enjoyed this comic, which combines Arendt’s biography with her political philosophy. Maybe I found the experiment so compelling because I don’t really know my Heidegger. (I’ve been avoiding him since college; my undergraduate institution was regrettably besotted by the thinker of Being.) At least that’s how I felt after reading the TLS review, which called out Krimstein for his misleading summary of Arendt’s erstwhile lover’s philosophy. I agree that Krimstein rather hurried over Arendt’s report on the Eichmann trial, and maybe he does spend too much time offering potted biographies of the many intellectuals, artists, and otherwise famous people Arendt came across, but Three Escapes gave me a clearer sense of Arendt’s life, especially the years before the war, and made me thrill to the capacious generosity of her ideas. A book could do worse.
Hana Demetz – The House on Prague Street (1970) Trans. Hana Demetz (1980) Score another one for open stacks. While at the United States Holocaust Memorial Museum archive earlier this year, I was browsing the shelves when my eye was drawn to the cornflower blue spine of Demetz’s book, written in German and later translated into English by the author herself. Happily, my local library had a copy, which, I suspect, no one had checked out for years. Which is a shame: The House on Prague Street is really good. It tells the story of Helene Richter, who grows up in eastern Czechoslovakia in the 1930s but whose life revolves around the summers she spends in the small town in Bohemia where her maternal grandparents live in the house that gives the book its title.
Her mother’s Jewish family are successful industrialists, the classic success story of Austro-Hungarian emancipation. (The first pages might have come from a Joseph Roth novel.) Imagine their unhappiness when Helene’s mother marries a law clerk from a Sudeten German family. This makes Helenka, as she is affectionately known, half Jewish, which has important consequences for her after 1938. Unlike the rest of her mother’s family she is not deported to Theresienstadt or further east. Instead she comes of age in wartime Prague, where she experiences plenty of privations but nothing like those suffered by her mother. Imagine her mother’s anguish when Helenka falls in love with a German soldier, on leave for a few days from the eastern front. That Gerd seems to be a genuinely kind person, and no Nazi, does nothing to assuage the mother’s hurt. These scenes are riveting—the tone is different from, say, the bitterness of Ruth Kluger’s fights with her mother in her memoir Still Alive; Demetz’s bitterness is always mixed with sweetness—and only become more poignant in light of the traumas that descend upon the family.
The mother dies of a sudden illness because she cannot be taken to the Jewish hospital after curfew. Gerd is declared missing, presumed dead. The father survives the war, only to be murdered in a street fight between German sympathizers and communists in the weeks after armistice. At the end, Helene returns to her grandparents’ house, which has been taken over by Orthodox Jews returned from the death camps. They are suspicious and resentful of her; she respects their claim on the house, but has no respect for them, describing them as uncouth, even primitive. Not even genocide, we learn, will necessarily bring people together. Demetz offers no vision of Jewish solidarity. And why should she? After all, it was the perpetrators who defined the victims as much as or even more than the victims themselves.
The neatness of the book’s narrative structure—it ends with Helene on the station platform, awaiting the train back to Prague, standing under the same swaying begonias that so imprinted themselves on her mind as a child—reminds readers that The House on Prague Street is a novel, not a memoir. Yet it reads more like the latter than the former. It has the feeling of coming directly from the life of the author. It’s not perfect, sometimes it strains a little for effect, but it’s captivating and moving. Some enterprising publisher ought to reissue it.
Anthony Horowitz – The House of Silk (2011) (Audiobook) Enjoyable Holmes novel, improved by Derek Jacobi’s peerless narration. It’s true, I did guess the ending (a subplot fooled me, though I also found it a bit silly), but the book’s real pleasure lies in its subtle characterization of Watson, nothing like the “sack stuffed with straw” so derided by Virginia Woolf. As always, Horowitz brings the stuff.
Hana Demetz – The Journey from Prague Street (1990) After so enjoying Demetz’s earlier novel I had to read its sequel, which sees Helene and her husband escape Czechoslovakia and build a life in America. Unfortunately, Journey isn’t a patch on its predecessor. Maybe the problem is that Demetz wrote it in English. But I think it’s more that the situations—infidelity, divorce, the trials of starting over in mid-life—are tired and their handling uninspired. Maybe Demetz only had one book in her. (I believe, actually, she wrote some others before House, but I don’t think they’ve been translated.)
Sarah Moss – Ghost Wall (2018) I’m writing about this for another outlet, so will only say: I liked it, sometimes quite a lot, but I wasn’t as crazy about it as so many people on Book Twitter seem to have been.
Liana Millu, Smoke over Birkenau (1947/1986) Trans. Sharon Lynne Schwartz (1991) Brilliant, evenhanded, non-judgmental and unsparing narrative memoir (what I mean is that Millu tells her experience in Birkenau through a series of stories about other inmates, stories that have the texture of fiction—not that their made up, but that their telling is literary). I’ve written about Smoke before. How good is it? Well, this is the fourth or fifth time in the last couple of years I’ve read it, and it gets better and better. I now know it well enough that I won’t have to read it from cover to cover each semester, but I’ll look forward to dipping into it.
Cay Rademacher, The Murderer in Ruins (2011) Trans. Peter Millar (2015) My high hopes for this mystery, set in the rubble of immediate postwar Hamburg, were dashed almost immediately. The writing is pedestrian, and the murderer pretty obvious. The use of the setting is good, and I learned what people did to survive the brutal winter of 1947. I’d have been better off reading a history, though. I believe it’s a first novel, and it might be that Rademacher improves (there are two sequels plus a whole other series), but I’m not inclined to give him a chance. (Especially since I got the book from the UK.) No Philip Kerr, let me tell you.
Laurie R. King, O Jerusalem (1999) My third audiobook of the semester was the fifth in the Holmes/Mary Russell series. It looks back to the first book, The Beekeeper’s Apprentice (still the best so far), and expands upon an interlude referred to there in which the leads find themselves in Mandate Palestine. I’m really interested in that time and place, and I enjoyed learning about General Allenby, who seems to have been quite a character, but this book is much too long and much too dull. King hasn’t lost me entirely, Russell is still a good character, and I’ll continue with the series, but plan to take a break for a while.
Katherena Vermette, The Break (2016) Not only the book of the month, but the book of the year so far, and one of the best I’ve read in a long time. I want to write a proper post about it, so for now will just say that it’s about an indigenous family in Winnipeg, specifically its female members, and their response to the countless aggressions (micro and macro) they endure. (The Break is a strip of land, a hydro corridor, in the city’s North End). The highest praise I can give books is that I still remember them weeks later, and The Break passes that test easily.
Lauren Wilkinson – American Spy (2018) Wilkinson’s debut novel, conversely, does not. I enjoyed it as I was reading it, and I found its central conceit—that African Americans are like spies in enemy country, nicely formulated in an epigraph from Ellison’s Invisible Man—fascinating and timely. Marie Mitchell is an African American woman in the FBI in the late 1980s. She ends up working for the CIA in the then-newly renamed Burkina Faso on a mission to ingratiate herself with its charismatic President, Thomas Sankara. Until reading this novel I was completely ignorant of Sankara’s revolutionary Marxist and anti-imperialist program, which seems to have transformed life for the country’s poor. In the novel—and I suspect in life—the CIA wanted him gone; when Marie is sent on a mission of the kind she has always wanted she is forced to reconcile her love of the work with her feelings that the country she is working for isn’t really her own.
The sections in Africa are nicely handled: the book never feels like a travelogue. Yet even though I was impressed by what Wilkinson was trying to do I didn’t feel she quite pulled it off. There are two reasons for that: one, she’s trying to do too much, and, two, she doesn’t do the genre justice. In addition to everything I’ve mentioned the book also tells a family story, involving Marie’s divorced parents (one a cop and one, it turns out, a former spy) and her sister, who had tried to forge a path into intelligence work and couldn’t. Wilkinson ties this together with the political story, but it’s too much. As Wilkinson admits in this interview, she isn’t that well versed in spy fiction. I appreciate her efforts to queer/diversify the genre—it needs it!—but I want that effort to be accompanied by a better sense of suspense, pacing, etc. For me, a fascinating misfire.
Primo Levi – The Reawakening (1963) Trans. Stuart Woolf (1965) (The proper title is The Truce.) Although I have taught a short excerpt from this for years in my Holocaust Lit class, I’d never read the whole thing. I read it with some students, and their appreciation of it increased my own. It’s a picaresque, describing the eleven months it took Levi to return to his home in Turin from Auschwitz-Birkenau. We enjoyed comparing The Reawakening to the much more famous Survival in Auschwitz (a.k.a. If This is a Man: Levi’s American publishers didn’t do him any favours). The sequel is markedly different in style, tone, and structure. It is ordered chronologically, for one thing, unlike its much more essayistic predecessor. “Picaresque” is misleading: it suggests scrapes and hijinks and ne’er-do-wells (all of which feature here), when in fact the book contains at least as much that is somber as triumphant. But it’s a book about coming back to life: hard, painful, but ultimately affirming. Levi is sometimes even funny, especially in his appreciation for Soviet organization, or lack thereof. At one point, describing a Soviet DP camp, he says something like (I don’t have the book in front of me), “There was no organization, but we got fed every day. It was a perfect system.” At moments like this, my students and I were reminded of the well-known encounter between Levi and a man named Steinlauf in Survival in Auschwitz. Steinlauf, a WWI veteran, perseveres even in the Lager he with a diligent regime of personal cleanliness, even though in those conditions hygiene was impossible. The point, he explains to Levi, urging him to wash in the ice-cold dirty water provided the prisoners, is to maintain one’s self as a human. Levi sees the man’s point, but he admits himself incapable of following another man’s system. This is the Levi we see in The Reawakening, a man who is finally free yet not forced to navigate the chaotic, ramshackle, uncoordinated but ultimately inescapable Allied bureaucracy.
Although short, The Reawakening is full to bursting with vivid characters and outlandish scenarios. Through a series of misadventures, Levi and the handful of Italian deportees who survived with him are sent east, through the Ukraine and almost up to Minsk, before making their way back down through Romania, Hungary, Austria, even Munich (where Levi refuses to leave the train station) and finally home to Italy. Maybe the thing that made the biggest impression on my students was how fraught the immediate months after the war were. We tend to think that liberation brought a return to normal life; Levi makes it clear, however, that this concept didn’t survive the war.
Looking back, February’s highlights were The House on Prague Street, The Reawakening and, above all, The Break. Anyone read them?
Do you listen to Eleanor Wachtel’s Writers and Co on CBC? Her latest interview was with Sarah Moss: https://www.cbc.ca/listen/shows/writers-and-company/episode/15674641
I used to listen to her all the time when I lived in Canada. I think she is excellent. Thanks for this; I will listen.
That’s interesting about Ghost Wall. Like you, I’ve seen a whole lot of buzz about it on Twitter, so I’m intrigued by the above. Do let me know when your other piece goes live as I’d like to hear more about your response.
I *need* very much to revisit Levi – it’s been too long since I read my way through his works, and I would like to see what my more mature (ahem) and better-read viewpoint would be!
I am planning a Levi event for June. Watch this space for more details soon.
Excellent – will do! 😀
It’s been a while since I read the Levi, but what I remember most is, as the quote you used suggests, the contrast between the Russians and the Nazis of the earlier books; both deal with people in a bureaucratic way, but the chaos of the Russian system humanizes it and makes it the antithesis of Nazi order. And, as you say, the translation of those titles! The Truce is a perfect title because it is a book about the uneasy, hesitant coming to terms with life under a new set of peacetime rules.
Agree about the greatness of the Millu too. It’s so well crafted that I found myself having to remind myself it was a memoir not a collection of short stories (sort of the opposite of what you said about the Demetz book.)
I look forward to hearing what you have to say about The Break; I’m not done yet, but I’m with you so far.
Glad you’re enjoying The Break!
That’s a nice way to put it re: what The Truce is all about.
I read Millu’s other book, the story of what happened to her immediately after liberation. Interestingly, she presents that book as a novel. I read it in German translation; I really wish someone would bring it into English. A pity she didn’t write more. (At least, I don’t think she did.)
I have to read that Millu book (especially since – likely some kind of Freudian wish fulfillment phenomenon – I inadvertently confused her with Luce d’Eramo when we were discussing that particular reading project). Adding The Break to the list, thanks. And what is that terrific painting up top? You always pick such great artwork. I’m discovering Jean-Paul Lemieux now thanks to your “Secretly Canadian” post!
It’s Marsden Hartley’s “Winter Chaos, Blizzard” (1909), which the Met owns. I follow various art accounts on Twitter and I filched this image from there. Nice, isn’t it?
Jean-Paul Lemieux is an absolute favourite of mine.
I hope you get to both Millu & Vermette–want to know what you think!
Correct: the Hartley is at the PMA.
Well that’s a productive month. Where are you writing about Ghost Wall? I read Sarah Moss’s first and I liked it, but what followed sounded kind of similar and the first was so specific I wasn’t sure I was up to that (Jean Rhys wrote the same novel four times, but she’s a genius and the themes were such that I think they supported that level of exploration).
Keeping it to myself for the moment–I’m so tardy with the thing I don’t know if they’re still going to take it! But I’m excited about the venue.
I read the first of Moss’s two historical novels and thought it was great. Quite different from Ghost Wall.
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