Ben Black’s Year in Reading, 2021

Today‘s reflection on a year in reading is by Ben Black (@benpblack). Ben is an Assistant Fiction Editor at AGNI magazine. He teaches English and writing in the Bay Area and you can find a list of his publications at benpblack.com.

Look for more reflections from a wonderful assortment of readers every day this week. Remember, you can always add your thoughts to the mix. Just let me know, either in the comments or on Twitter (@ds228).

Alfred Sisley, Flood at Port Marly, 1876

Running in the Family by Michael Ondaatje

There’s nothing quite as entertaining as a memoir about a large family of eccentric characters. Here the author returns to his native Sri Lanka physically while psychically returning to his own memories and the collective family memory bank of wild stories about his father, mother, uncles and aunts, and especially his unique, independent grandmother. These short chapters in semi-chronological order cover a lot of ground, basically a whole century of family lore. They offer a tantalizing glimpse of Sri Lanka in the 20th century.

As with most family stories, it’s hard to tell what’s plain fact and what’s fantastic mythologizing, but what matters more to the author is the deeper truth beneath the stories, factual or not. He’s out to understand his place in the world, and to find a deeper connection to the distant outlandish trio of his father, his grandmother, and his native island. The very short chapters are entertaining, outrageous, and somehow sweet and moving. You’ll likely never meet characters like this again.

Soul by Andrey Platonov

A strange, dreamy, allegory by a Soviet writer taking place in the deserts of Turkmenistan. The main character’s job is to rescue a small, dying nation of people by guiding them through the desert to a new home. But the people he encounters are weak, listless, destitute, and utterly disconnected from the world of the living. As he works to feed them and keep them on the move, our hero falls in love with this pathetic group of lost souls. And slowly, they seem to wake from their walking slumber and learn to stand on their own.

This is truly one of the strangest books I’ve ever read, filled with unusual characters and scenes. (I swear someone lies down and falls asleep in the sand on every page). Did I mention our hero is pursued by two huge demonic birds for much of the journey? [Ed. – No, no you did not!] Soul is weird, often funny, but more often heartfelt—like the main character, you fall in love with these misfits as the narrative moves along.

Bloodchild and Other Stories by Octavia Butler

I’ve read the title story many times (and have used it in my English and Creative Writing classes), but this is my first time reading the rest of the collection. [Ed. – “Bloodchild” teaches so well, doesn’t it?]

Remarkably, these stories deal not only with interesting sci-fi concepts (a virus that destroys the human capacity for speech, a self-harming disease that creates different social castes, the classic conundrum of bridging the communication gap between humans and aliens), but do so in a way that delves into social problems and helps us understand our own time better. This is true, of course, of all great sci-fi, and this is some of the greatest.

Even if this collection contained only the title story, it would probably still make my top ten list. It’s one of my favorite stories, maybe one of the best short stories of all time. Humans are enslaved by aliens who use a sinister coercive love bombing relationship to keep the humans docile and attached so they can be used for breeding. [Ed. – And yet the story takes  seriously the  possibility that there could be reciprocity with real otherness…] It’s creepy, gross, and unsettling because it reminds us of both our history of treating other humans and of our uneasy relationships with power throughout our lives, whatever they may be.

This collection also contains some brief essays about Butler’s writing craft that I find refreshing in their simplicity and clarity.

Nightmare Alley by William Lindsay Gresham

The recent movie (which I loved and highly recommend) made me love this book even more. They’re both great in their own ways. This is classic noir, but it elevates itself past cliché. A story about an unscrupulous man’s rise through the world of carnival sideshows, spiritualism, and other dubious cons, this is definitely one of the darkest books I’ve read. No heroes here! But a fascinating look at the underworld nonetheless.

I loved the careful detail Greshman puts into the supporting characters, all of whom are portrayed somewhat sympathetically, no matter how shady they might be. The three main female characters are particularly unforgettable (especially the depraved psychiatrist who shows up in the last third of the book). The book has a lot to say about how people relate to each other, about the gray area between truth and lies, reality and illusion, manipulation and real feeling.

Who Was Changed and Who Was Dead by Barbara Comyns

This wonderfully weird novel follows the lives of the eccentric Willoweed family as a strange plague causes death, insanity, and violence among the inhabitants of an English village. The chapters devoted to the plague are gripping and horrifying, but the real narrative momentum comes from watching each of the finely drawn characters come out the other side of the catastrophe changed (as per the title). It’s a very surprising book: I never quite knew what would happen next, and from the first page (featuring ducks swimming through a living room during a flood) to the last, unusual images show up on almost every page. [Ed. – But does anyone lie down and fall asleep on the sand?] Comyns writes with a light touch, so there is humor amid the terrible events, but a lot of deep emotion too. Lastly, Grandmother Willoweed is one of the most delightful and memorable villains I’ve encountered. Who Was Changed and Who Was Dead gave me hope for what’s to come after our current catastrophe recedes. (A special shout out to the other Comyns novel I read this year, The Vet’s Daughter, which is even darker and stranger. I look forward to reading more from this neglected genius)

The Organs of Sense by Adam Ehrlich Sachs

This one is somewhat hard to explain. It’s a slippery little novel of stories within stories, and one of the funniest I read this year.

As a young man, the philosopher Leibniz visits a blind astronomer who promises to tell the story of how he lost his sight in the few hours before the solar eclipse he’s predicted occurs. But his telling takes many strange delightful turns as it wanders around Europe and through the courts of the Hapsburgs. The writing style sends up philosophical tracts, full of recursions and repetitions, leaving you and Liebniz wondering where the story’s headed or if it will ever arrive. The ending is totally unexpected.

At the heart of the tale is the theme Sachs explored in his earlier collection of short stories, Inherited Disorders: fathers and sons, the unknowability of another person’s heart and soul, the chaos of the cosmos (with its sometimes startling insinuations of order). All told with a light comic touch.

I’ll leave you with the words of the writer Andrew Martin: “a madcap blend of philosophical malpractice and byzantine palace intrigue. It’s like what might happen…if W. G. Sebald had gone insane. In other words, there’s nothing else like it.”

Earth and Ashes by Atiq Rahimi

A powerful short novel from Afghanistan.

After his village is bombed and most of his family killed, an old man goes on a long journey to the remote mine where his son works to tell him the awful news. In tow is his grandson, who has been deafened by the bomb but is too young to understand what’s happened to him.

This is a story about multiple griefs all happening at once. The main character has barely any time to mourn the rest of his family; instead, he spends most of the journey agonizing over how he will tell his son this devastating news and how he will keep his grandson alive until they reach the mine. Interwoven with the grandfather’s thoughts are snippets from the boy’s perspective: newly deaf, he simply thinks everyone around him has decided to stop speaking to him. Sounds depressing, right? But the writing is so good and the characters so well-drawn; it’s an amazing, intense, immersive experience.

The Dangers of Smoking in Bed by Mariana Enriquez

No list from me is complete without an Argentine.

This collection of fantastic, gothic tales will give you shivers and leave you with food for thought on social issues.

The stories at once feel old (their subjects and style remind me of creepy/horror stories of the last century and before), and new (they deal with modern issues like homelessness, urban blight, and the recent crimes of the dictatorship in Argentina). In other words, the supernatural horrors are rooted in real issues. Above all, they are gripping and fun to read.

The women of an anxious family suffer a curse tied to a witch and a well…a woman is haunted by the rotting corpse of a baby…a neighborhood is full of expats who hate the city but can never leave…a rock star’s suicide inspires a horrific response from his fans…a woman joins an online community of weirdos obsessed with the human heartbeat…children who disappeared decades before start reappearing, but there’s something not quite right about them…

I hope you’re intrigued enough to give this amazing writer a try.

Pieter Beugel the Elder, The Blind Leading the Blind a.k.a. The Parable of the Blind, 1568

The Parable of the Blind by Gert Hofmann

Oh boy another weird book rec from Ben! [Ed. – Bring em on!]

This short novel tells the story of a group of blind men hired to pose for the painting by Pieter Breugel that gives the book its title. Told in the first-person plural, most of the action concerns their confusing journey to the village where Bruegel lives, culminating in their absurdly hilarious yet profoundly sad act of falling into a ditch over and over for the artist. The group narration is memorable: sweet, funny, cautious, hopeful, demanding, repetitive, and relatable. The other characters they meet are hilariously unhelpful as our heroes make their way to the end of their small but epic quest.

A brief, weird, amusing tale, but what earns it a spot on this list is what’s lurking underneath the surface, what it left me thinking about: the uneasy relationship between art and life, inspiration and execution, ugliness and beauty, the commonplace and the divine.

Martin Schneider’s Year in Reading, 2021

Today’s reflection on a year in reading is by Martin Schneider, a freelance copyeditor (of books!) who lives in Cleveland, tweets at @wovenstrap, and used to write for Dangerous Minds. He’s part-Austrian and can occasionally can be found in that country.

Look for more reflections from a wonderful assortment of readers every day this week and next. Remember, you can always add your thoughts to the mix. Just let me know, either in the comments or on Twitter (@ds228).

Charles E. Martin

The global pandemic has been very good for my reading life.

I’ve read novels my entire adult life but the raw totals in any given year might not have been very high, maybe 30 per year. When COVID-19 arrived, I had an empty work patch in my freelance schedule and I responded by attempting to read one novel per day for 30 days (!) as a way of distracting myself from the fact that I might have a hard time finding freelance work. I made it to Day 19 but some work came in, thank god, and I didn’t get to Day 30. That stretch sparked a period of high novel consumption: I read 72 novels in 2020 and 70 novels in 2021. Those are very high totals for me.

I’m grateful for the particular cluster on Twitter that orbits around Caustic Cover Critic and Damian Kelleher and of course Dorian for improving my general experience on Twitter as well as giving me inspiration for new books and a community of like-minded people, etc. I should also say a word about the Backlisted podcast as additional inspiration (obviously that also overlaps with Twitter in some ways). I appreciate the monthly bookstack photographs and other visual ephemera that Book Twitter is always providing me with.

I’m a volume whore, by which I mean I favor reading short novels so that the raw book count stays as high as possible and I don’t get stuck for a month reading Moby-Dick or whatever. [Ed. — Ah, but what a month it would be!] 275 pages already begins to seem a high total to me, my sweet spot is about 191. ABC, always be churning. [Ed. – Hahaha!]

It goes without saying that 2021 was a very good reading year for me, cycling through 70 books in a calendar year is pretty close to an ideal way for me to spend my free time.

OK, here are about 20 books I wanted to say something about, listed in chronological order except where books are joined.

Michaela Roessner, Vanishing Point

The first read of the year for me, and one of the year’s finest. Vanishing Point is hard to track down but this exemplar of heady, sinuous ’80s sci-fi is worthwhile for those who like that kind of thing. The setup has much in common with Tom Perrotta’s The Leftovers — it also came first — which most likely is what drew me to seek it out. I don’t want to divulge too much about it, but I greatly enjoyed this intelligent, immersive book, and I think about it often.

Josephine Tey, The Franchise Affair

I’ve never been much enamored of The Daughter of Time, which has always seemed implausible and overbaked. This left me unprepared for the astonishing authorial control of The Franchise Affair. I think you’d be hard-pressed to find a better representation of midcentury England than this book; the sheer exuberance of the jolly/obliging/diffident/snappish voices — literally, speaking voices — is tough to top. What’s the cricket equivalent of “a home run”? [Ed. – Knocked it out of the oval here, my friend: such a good book.]

Gilbert Adair, Love and Death on Long Island

Quite simply, my #1 read of 2021. I adore thinking about this book. Every page is a treat. I would urge those who like their fiction subtle and incisive to consume this immediately. Adair’s performance — and it is definitely a performance — feels thoroughly under-heralded. I had seen bits of the movie years ago and had always found the central predicament original and delicious and rich. Who can fail to relate to the sorrows/joys of being a bookish hideaway in a world that produces, almost unthinkingly, Hotpants College II?? [Ed. – Admittedly, not a patch on Hotpants I.] The ways Giles and Ronnie fail to comprehend each other are a wellspring of comedy that will never stop nourishing me. I never reread books but will likely return to this “jewel-like” 1930s-type book set in the age of the vulgar teenage sex farce (rented from the local video shop, natch); those 1980s details are decisively additive, at least for me. I sorely crave books like this but alas, strong comps are surely thin on the ground…… [Ed. – Ooh, a challenge: do your best, Team. Whatcha got for Martin?]

Colson Whitehead, The Underground Railroad

I am a fan of Whitehead’s, but I was disappointed by The Underground Railroad. It seems unusually weak for a Pulitzer winner (then again, there is The Goldfinch, oof). I appreciated the comparative tour of antebellum contexts, but the failure to develop the literalized choo-choos nagged at me. Does that metaphor explain anything to anybody? I can’t see how. It’s such a great idea but also a massive missed opportunity. This is the rare case of a book that needs another 200 pages, I think. I also worry that Whitehead has bought into the hype surrounding him. Give me another John Henry Days, man — please!

C.S. Forester, The African Queen

In 2020 I read The Good Shepherd and found it utterly compelling. Then dang if the same thing didn’t happen all over again with The African Queen. I am a little leery of the Hornblower books — I prefer the 20th century, thanks — but Forester’s way of imparting information really does it for me.

Patricia Lockwood, No One Is Talking About This

Jonathan Lethem, The Arrest

No One Is Talking About This is a relatively celebrated recent novel that I cluster together with the works of Jenny Offill and Rachel Khong, and not in a positive way. I think of all of these books as jammed with clever, postmodern witticisms/jokes that you could rearrange in any order and it wouldn’t make much difference to the narrative. That’s a little unfair to No One Is Talking About This, which Lockwood does take pains to instill with an Act I/Act II structure, but I still found it a complete failure in terms of ordinary novel-building. Meanwhile, Lethem is not much in fashion lately, especially after The Feral Detective, which did not work. I suspect there was scant interest in his stab at Post-Apocalypse, but I still found The Arrest as intelligent, engaging, and sharp as much of his stuff — I admire Chronic City particularly. His books don’t always hang together, but on the paragraph and thematic levels, Lethem seems to me the equal of anyone out there right now and, as such, under-appreciated.

Arthur Getz

Margaret Drabble, The Millstone

Oh, boy. I was more than a little surprised how conventional and bourgeois (and therefore tiresome) I found this book, which in 1965 represented such a brave “new” perspective — or did it? From the perspective of 2021 it reads as so much more aligned to Drabble’s (presumably) hated predecessors than to us. To the reader of today, I submit, so many of Rosamund’s choices are unintelligible, particularly that of concealing the existence of her child from her parents. Rosamund’s whole setup (enormous apartment, rent-free) is so contrived and refuses to serve as the societal basis for anything (as I think was intended or at least was regarded). Jerusalem the Golden, a humble tale of growth about a woman from humble origins I read and esteemed decades ago, seems the antithesis of this. Drabble really leans into her privilege here, thus undoing the point. Next! [Ed. – *popcorn gif *]

Quentin Tarantino, Once Upon a Time in Hollywood

The last few years I have found myself increasingly disenchanted with the MFA-influenced “well-crafted” masterpieces that dominate (say) the Tournament of Books. The writing is frequently too tidy and pristine and there’s too much overlap/groupthink in the authors. In my mind, these books are not composed by individuals; too many of the nasty, idiosyncratic details have been sanded off. An antidote to this is Once Upon a Time in Hollywood, far from a great book but I found its termite-ish perambulations entirely refreshing and (am I crazy for believing this?) an explicit callback to the shaggy-dog ways of Dickens. I do suspect that Tarantino thought of this “novelization” (a favorite form of his) as an attack on all the bloodless hifalutin volumes that get adopted by reading groups. I’m ready to sign on to this agenda; modern fiction could surely stand to ingest the unkempt, untoward essence of this book.

Elena Ferrante, The Lost Daughter

I admire the guts it took to be so unflinching about the unvirtuous aspects of shirked motherhood. The Lost Daughter dares you to dislike its protagonist, which I did not — or not very much; Ferrante works in the class signifiers to make her readers side with her heroine over the swinish, unreaderly family that intrudes on her interlude — and then forces those same readers to think about that. It’s encouraging that a writer of Ferrante’s gifts has found such widespread success.

Susanna Clarke, Piranesi

Everybody’s favorite recent puzzle box, it seems. The first half of this book constituted one of the reading high points of the year for me. Nothing wrong with the second half, to be sure, but you just can’t top the sheer blazing WTF “where is this going?” quality of this book’s setup. [Ed. – Yeah, can’t argue with that.] As with Love and Death on Long Island, I desperately want to find books with this vibe, but I doubt that any are out there (I did think of David Mitchell’s Slade House, however).

Joseph Hansen, Fadeout

One of my top reads of 2021. I learn from the internet that Hansen was a pioneer of the gay detective novel. This book introduced Dave Brandstetter, Hansen’s recurring hero of a dozen or so mysteries. The gay angle functions as the lever that furnishes Hansen’s situation/solution with complexity, but it wasn’t just that; Hansen also had the ability and the interest to write textured, complex thrillers. That’s the kind of shit I live for! This was published in 1970, but I thought it stood up dazzlingly well today.

Eugene Mihaesco

Percival Everett, Cutting Lisa

This somehow pairs with The Lost Daughter in the author seeking out, nay, embracing unpleasantness to spectacular effect. This was on my shortlist of reading experiences for the year, a strikingly original work that forthrightly countenanced negativity while resisting the impulse to pin everything on a villain. Every character has corners; every situation is layered. My first Everett, Cutting Lisa has a chewiness I associate with the finest output of the 80s, and I can’t wait to read more by him.

William Maxwell, So Long, See You Tomorrow

Katherine Anne Porter, Noon Wine

So Long, See You Tomorrow is one of those “writerly” novellas that hit me entirely the wrong way. Maxwell was a smalltown escapee who later found tenure at The New Yorker and thereby invested himself of the power to imbue these “simple midwestern people” (yuck) with meaning. If ever a narrative should have dispensed with the pretentious framing device of the events filtered through the memories of a child, it’s this one. I guess I can see why people admire this book, but for me it was just a succession of false notes. [Ed. – Ooh, fighting words!] Noon Wine reveals the falsity of Maxwell’s methods; another short novel — Porter, it seems, detested the term novella — but in this case authentically empathetic towards its figures, in contrast to Maxwell’s self-serving projections/lies. Noon Wine has the guts to put real people on the page — and real stakes.

William Lindsay Gresham, Nightmare Alley

One of the much-mentioned texts of 2021, due to the Guillermo del Toro adaptation that landed late in the year. Later on, I found it significant that Gresham is not celebrated for any other work. This book is certainly adept and not devoid of virtues, but I found it labored and tiresome, every point underlined in every paragraph, nothing allowed to breathe, as a real novelist would do it. I resorted to a new strategy: just grind through 10 pages per day until done, just to get it behind me (while starting a different novel, I seldom double dip). I should go back and finish Geek Love as an antidote (not that Dunn let things breathe, either).

Louise Erdrich, The Sentence

Simply put, I cannot think of another novel as generous-minded as this.

Other books I enjoyed:

Powers of Attorney by Louis Auchincloss

Asylum by Patrick McGrath

Mrs. Caliban by Rachel Ingalls

Trustee from the Toolroom by Nevil Shute

The Mosquito Coast by Paul Theroux

Figures in a Landscape by Barry England

The Small Back Room by Nigel Balchin

The Blessing by Nancy Mitford

A Favourite of the Gods by Sybille Bedford

Excellent Women by Barbara Pym

After Leaving Mr. Mackenzie by Jean Rhys

Voyage in the Dark by Jean Rhys

The Easter Parade by Richard Yates

Two Serious Ladies by Jane Bowles

The Country Girls by Edna O’Brien

The Last Policeman by Ben H. Winters

Rose Under Glass by Elizabeth Berridge

The Quiet American by Graham Greene

On the Beach by Nevil Shute

An Unsuitable Job for a Woman by P.D. James

The Power of the Dog by Thomas Savage

Black Wings Has My Angel by Elliott Chaze

Amigo, Amigo by Francis Clifford

Something in Disguise by Elizabeth Jane Howard

Five Decembers by James Kestrel

A Disorder Peculiar to the Country by Ken Kalfus